A distortion pedal helps to bring the foremost out of your amp. I own an amp that features a clean channel also as a unclean one. There are tons of distortion pedals that sound great played through the dirty channel but i actually like better to play mine through the clean setting. i exploit a Metal Muff by EHX. it's the range of screaming distortion right right down to mellow, growling overdrive. Each end of the range is ideal for several sorts of music. Played with the setting a touch past the 12 o'clock position gives a pleasant 80's style heavy metal tone. If you dial it back between the 8 - 12 o'clock ranges you'll get a tone that's perfect for blues and classic rock.

My other favorite pedal may be a 10 band equalizer that's made by MXR, who is most famous for his or her phaser pedal. This pedal gives me many options with its 10 frequency bands and also a pre-gain slider and a post-gain also . The settings on the sliders range from -10 to +10 which provides you the power to scoop your tones (such as your mids) or boost them, which helps to offer your distortion pedal a fantastic amount of high gain. the simplest place I even have found to use this pedal is within the effects loop of my amp. this enables me to shape my tone after the pre-amp tubes and before the power-amp. If you do not have an amp with an effects loop i might recommend plugging your pedal in your chain after the distortion pedal, which can offer you the choice to shape the tone of the distortion instead of the distortion shaping the EQ.

I also am very a fan of having a compression pedal within the chain. I even have had success with one before and after the distortion pedal. this is often completely subjective to your preferences and wishes for compression. My compressor, which may be a Boss CS-3, keeps the quantity consistent when playing at higher gain distortion levels. It also raise the sustain which may tend to urge lost when using high amounts of distortion. These aren't always the simplest to dial in so you'll got to twiddling my thumbs when setting one up and also remember to log your settings once you discover the sweet spot.

Chorus is another pedal i exploit in my everyday setup that provides a sort of sweet and fat colour to a light distorted tone. I definitely don't use any when I'm playing high gain music, just for the lower distortion and even right down to overdriven levels. Again, like the compressor, it's sometimes a touch tricky to seek out that sweet spot and you'll get out of control on your sound if the speed and tone are set too high. Play with it in small increments until you discover the proper amount of chorus for your style. i exploit an Arion that was manufactured back within the early 1980's and remains going strong today.

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